Archival interview with Charlie Revai from the official Matrix website. BEGINNING THE SEQUELS MATRIX: Were you involved with the first film in any way? CHARLIE: No I wasn’t. I got to meet Owen [Paterson, Production […]
Archival interview with Arnold Verbiesen and Josh Pinney from the official Matrix website. MATRIX: Which area have you been working in within the Special Effects Department? ARNIE: In the mechanical effects department. I was involved […]
Archival interview with Ron Reiss from the official Matrix website. SET DECORATOR’S ROLE MATRIX: How did you come to be working on THE MATRIX sequels? RON: I come from Los Angeles, California, and I interviewed […]
Archival interview with Larry Roberts from the official Matrix website. MATRIX: As the SPFX Pyrotechnic Coordinator, have you found THE MATRIX 2 a big show for explosions? LARRY: It’s a big show, lots of work, […]
Archival interview with David Thomson from the official Matrix website. MATRIX: How did you get into rigging blue and green screens? DAVID: I work for the Grips Department doing rigging for them, basically cutting light […]
Archival interview with James Peterson from the official Matrix website. MATRIX: How long have you been building models? JAMES: I’ve been doing models for about five years, pretty much since I came to Los Angeles […]
Archival interview with Josh Pinney from the official Matrix website. BACKGROUND MATRIX: How did you get into this line of work? JOSH: I’ve been around it forever, my family is involved in it. My father […]
Archival interview with Sandy Stanton from the official Matrix website. MATRIX: Could you enlighten everyone as to what a Grip is? SANDY: Grips do a couple of things, we cut light in front of a […]
Archival interview with Owen Paterson from the official Matrix website. MATRIX: Where are we right now? OWEN: We are in the Temple from the Zion set, it’s a big set. Eventually there will be about […]
Archival interview with Clay Pinney from the official Matrix website. MATRIX: Could you break down what your role in this production is? CLAY: Basically, the Special Effects Supervisor, on a film like this, is in […]
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