In My Head
Synopsis:
With knowledge comes anticipation, with anticipation
comes confusion and with confusion comes fear.
Delving into the mind of a character who was told
just enough about her future to know that she
didn’t know enough. (Trinity, pre-movie).
Rating:
NC-17 for themes, language, style, tone, sexuality,
etc. NOTE: this is NOT a smut piece.
Thanks
to MTS for editing this and for managing to refrain
from beating me over the head when I said that
yes, I actually was planning on letting the rest
of the world see this totally random piece.
And thanks to my buddy Scottishlass for pre-reading
this and confirming that yes, it really does make
sense, somehow, if you stand on your head and
squint or something.
Disclaimer:
The Matrix doesn’t belong to me; I’m making no
money, yadda yadda. Don’t own John Travolta
either (though apparently I am distantly related
to him), I’ve just borrowed his name twice.
A/N:
Highly experimental style. You have been
warned. This is set far pre-movie, when
nobody has a clue as to whom the One may turn
out to be, and long before any of the Neb’s crew
have ever laid eyes on Neo.
IN
MY HEAD
“There’s
a leak here,” Orr said, “I’m trying to fix it.”
-Joseph Heller, Catch 22
Give
me a reason to love you
Give
me a reason to be a woman
I
just wanna be a woman.
-Portishead “Glory Box”
Faceless
vision in my head
It’s
not like you want me to stay with you, not when
the night is cold and dark and you must thrive
on being miserable. It’s not like you know
I’m there, not like you know that if you reached
out and whispered my name the inside of me would
crumble and I would fold into you, breathe you,
warm you. It’s not like you know who I am.
I don’t know you yet.
But
I do know you, in a way; I know you as flowing
lines of green, or as part of the mess of flowing
lines of green that I watch every day. We
have a new one, Morpheus says, and my throat closes
and I wonder if it’s you this time. Disembodied
visions of you in my head. I will love you.
She told me I will love you. Who are you?
A
faceless vision in my head.
You
In
your eyes, the reflection of my own haunted gaze.
You’ll pull me close to you. Hey, snap out
of it, your hands hard on my face, the past is
over and the future is now. Shove my body
into the wall, ignoring the sound of my skull
cracking against the steel. One hand now,
pinching my cheeks against my teeth from the outside,
I can’t move my head. Slam. My vision
dark and bright at the same time, dizzying, I
can’t see. Your voice: get over it,
Trinity. I’m here for you now. Slam.
Darkness creeping in along the edges of my vision,
the sweet taste of copper on my bloody lips.
Hey, are you listening to me? I said I’m
here for you now! Slam. Your voice,
fading away: You’re not fucking listening
to me! I love you and you’re not fucking
listening to what I’m telling you! Slam.
My mind screams I love you too before the blackness
drowns me.
Or
In
your eyes, the reflection of my own haunted gaze.
You’ll pull me close to you. Hey, are you
all right? Your hands soft on my face, the
past is now and the future is later. Wrap
my body in a blanket, ignoring the sound of my
voice telling you I’m fine. One hand now,
brushing my cheek so softly and I lean into it
gently, I won’t move my head. Gasp.
My vision dark and bright at the same time, dizzying,
I can’t see. Your voice: are you okay,
Trinity? I’m here for you now. Gasp.
Whiteness sparkling along the edges of my vision,
the needful twitch capturing my tingling lips.
Hey, you can just relax for a bit. I’m here
for you now. Gasp. Your voice, echoing
in my ears: You can just slow down, relax
for a bit. I love you and you can just take
it easy for a while, really. Gasp.
My voice whispers I love you too before I reach
to pull your face to mine.
Or
In
your eyes, the reflection of my own haunted gaze.
You’ll pull me close to you. Goddamn Agents,
your hands cold on my face, the past is gone and
now is always almost over. Push my body down into
a chair, ignoring my silence and the silence of
the room. One hand now, holding my cheek
firmly and pushing my hair back, I don’t move
my head. Breathe. My vision dark and
bright at the same time, dizzying, I see too well.
Your voice: Don’t worry, Trinity.
It wasn’t your fault. Breathe. Clear
stillness along the edges of my vision, a tasteless
film coating my numb lips. Hey, you’re all
right, you’re okay. I’m here for you now.
Breathe. Your voice, echoing in my ears:
You’re all right now, I love you and there was
nothing you could have possibly done to save them.
Breathe. My mouth forms I love you too before
I curl up around myself.
Fairytale
. . . the beautiful
maiden princess was locked in her stone tower,
on a hill far above the village. She was
guarded by a dragon whose smoky breath drifted
in between the bars of her window, clouding her
room, thickening the air. Every night the
princess would cry into the hem of her satin gown,
her tears tinting the fabric and her sobs muffled
into her pure white palms. The light of
the moon danced to her through the window and
it was her only companion; it would fill her room
with a white glow that kept her company through
the long, dark hours. The princess would
kneel at her windowsill and peer up through the
bars at this god of the night.
“Please,”
she said, “let my prince come soon, my prince
must come soon to free me from this prison.”
Night
after night the princess would whisper her plea
to the listening moon, and day after day she kept
watch over the village, waiting for her prince
to appear. Hour after long, lonely hour.j
It
was the glint of the sun off his glistening shield
that alerted her to his arrival. Her prince.
He crested the hill on his valiant white steed,
armour polished to the sheen of diamond.
The dragon awoke. But such a base beast
was no match for the pure-hearted warrior; the
prince slew the fierce monster in a brief battle,
the whiteness of his horse’s flanks left untarnished
by the dragon’s vile blood. Nimbly he scaled
the tower wall to reach his fair maiden.
It was only then that she could see him clearly,
tall with hair the colour of the finest gold,
eyes as blue as the clearest sky and the face
of an angel. In his face she could see his
goodness, his honesty, his purity of heart, and
immediately she loved him.
“My
dearest princess,” he said, “I have come for you.”
He
embraced her in the light of the setting sun and
bore her down to his steed. They took off
across the fields to his great kingdom where they
lived happily ever after.
Sex
I imagine I’ll
crave the taste of you, traces of your skin and
mouth left on the back of my tongue like the after-effects
of an acid hit. Addicted.
You
call to me, large hands curled over my neck and
back with smudges of sweat sliding beneath your
fingertips. The skin of our stomachs pressed
together, sticking with the humid dampness, and
your mouth finds mine. Hold me on top of
you and love me with slow, gentle touches, breathing
hot in my ear. Don’t stop. Mutter
my name into the darkness. I want you.
Don’t stop.
Or
You
hold my wrists up over my head with your firm
hands, your body heavy over mine. Pressing
down. Go down on me hard and fast, until
you feel me shuddering there, wetness on your
face. I pull against your hands, want to
reach for you, to touch you, to feel you with
me. Don’t move, you say, you don’t need
to move. Too-passive ecstasy.
Or
You
press your fingernails hard into my skin, dragging
down the length of my arms. Blood -- my
blood on your hands and it hurts, God, it hurts.
Stop. Please stop. I pull myself away.
You smile at me, pulling me back, and then you
push into me. Come on, you say as you kiss
me. I melt into the taste of you.
Come on. Your opened hand up, and swiping
down, hard against my swollen cheek. Come
on, you know you like it. Your mouth on
mine again, I am liquefied. You know you
like it. But oh, it hurts. Don’t answer.
I
love you. Why? I have no choice.
Make-believe
(childhood)
When
I was a girl I dreamed of a white weddings with
pink roses that didn’t have thorns. No thorns
so they wouldn’t prick people. The groom
a handsome prince, tall and muscular with a square
chin and perfect eyes and a good, kind heart.
A fucking John Travolta look-alike in a tux, waiting
for me to walk up in my virgin’s white dress.
Long courtship, short engagement. Love him
because he’s perfect and wonderful and treats
me right. I read fairytales then.
Illusions
melted with white dresses. I don’t know
white anymore. I know green and black and
shades of grey. Fairytales weren’t meant
for you, I hear. They weren’t. I would
have broken out of the tower and killed the dragon
myself.
The
Oracle said, you will love this one. This
One.
I
dreamed last night that I was marrying you who
looked like John Travolta. I wore a white
dress but the roses were red. You pulled
one out of the bouquet and its thorns pierced
your soft palm, blood dripping down your sleeve.
I woke up.
So
I wait. You will come and I will love you.
Unconditionally. No matter who you are.
I will love you. The tower princess never
gets to choose her prince, anyway. Who are
you?
Show
me
I’ll want to
pin you against the wall, your chest driven against
the cold metal and to hold you there with the
force of my body until I feel you gasp for breath
beneath the pressure. Your face will be
turned away from mine, cheek smothered against
the metal and you’ll cringe as my hand falls firmly
to your shoulder. My chest will be crushed
against your back and I push harder.
Goddammit,
Trinity. Your forced voice.
My
lips close to your ear. Show me. A
thin growl on my tongue.
I’ll
want to reach inside you, down your throat and
into you until I can find what you are.
To know we are one and that you are enough for
me – that you can stand across from me and say
we deserve each other. I’ll want to make
you feel the weight and the need and the will
and the soul of the entire person that I am.
I’ll want to know I can’t break you. Show
me. I’ll squeeze your shoulder just below
your neck, desperate. Show me. Where
is your glistening armour, your shining sword?
Is there a snow-white steed waiting for us out
in the cold sewer? Your fingers will reach
to touch my other hand. I’ll catch them
and hold them tightly, crushed in my grip.
Trinity
– Your full voice.
Show
me. My voice cracking, lips coming to your
neck just above the collar of your sweater.
I’ll kiss you there, open mouth and moving tongue,
feel myself doused in the trip. I’ll want
to make you understand everything, about how your
faceless image haunted me during hours of late
watch, how you visited me in my sleep for years
before I knew you and how I would wake tangled
in sweaty sheets. How I would shower to
wash away the traces of you that had never actually
been there. I’ll want to make you remember
the time we spent together before we even met.
I’ll want you to prove that you were there, that
it was in your head as well as mine. I’ll
want you to prove that you know what it’s like
to feel that you didn’t really spend the night
alone. If the mind truly makes it real then
I’ll have made love to you countless times before
I ever met you. A faceless you that was
you nonetheless. Show me, I’ll whisper,
mouth touching your earlobe. Will you reach
back to hold me?
Show
you what? Sounding choked, like you might cry.
--
why I feel this way that knots me up inside and
pulls until it tears and hurts and why your touch
is death and birth at the same time and why the
hell it should be you of all people, why you when
I didn’t get to choose and why I love you and
would I love you if I didn’t have to and would
it still make me feel full and empty and giddy
and sad and tingly and numb at the same
time like the rough edge of a whisper or the promise
of an unanswered question and how you make me
want to tell you all the things that I don’t tell
anyone but the words are too tangled to shape
in my mouth and I --
Show
me, I’ll sob, my voice heavy. Show me